Careers

People on the move

Yasmin Yusuf

RETAIL - Yasmin Yusuf takes charge of M&S "knicker crisis"
Style queen Yasmin Yusuf, 41, will lead the battle to restore the flagging fortunes of Marks and Spencer, the high street clothing store giant. She is the best bet to deal with M&S's "knicker" crisis - the lagging consumer interest in the store's unfashionable underwear and clothing lines.

High street observers expect that Yasmin will redesign M&S's dowdy image and help the company regain its favoured market status. Her track record in the hurly-burly of high street fashion is impeccable, according to trade newspapers. Previously with the Warehouse chain, Yasmin is credited with transforming that company into "the hippest name in the high street" in the late 1990s. She was best known as the managing director who turned that loss-making business into a profitable one.

Yasmin holds degrees in textile design from London's Middlesex University and the prestigious Royal College of Art and is , is well-known on the swanky side of fashionwear selling. As well as working for the upmarket Harvey Nichols store, she was a senior buyer and head of womenswear at several chic designer emporia in the eighties..

Yasmin's talent for trend-spotting and turning designs into wearable fashion was the honey pot that attracted her new employer. She is to head the 40-strong M&S central design team and develop new lines for adults and children in M&S's 298 stores. No shrinking violet, she reports directly to Roger Holmes, Managing Director UK Retail, and will sit on the company's board.

Though comfortable herself with breaking through the "glass ceiling" that many women of colour face in the retail clothing industry, Yasmin may still have to overcome discriminatory attitudes and practices in a company that is an unremarkable race equality employer.

Nevertheless, the style guru's strong management skills, inspirational attitude and intuitive understanding of customer needs, will aid her success at M&S, says Roger Holmes.

No stranger to controversy in the cut and thrust of fashion retail politics, Yasmin has called for positive, well-proportioned role models for the fashion industry. "Our customers like curvy , sexy babes they can emulate," she says. A bit more Naomi Campbell-ish and not, presumably, unhealthy too-thin catwalk models like Jodie Kidd.

Reversing the fortunes of M&S won't be easy however. If Yasmin wants to make a difference she will have to focus her design efforts not on one mass market, as in M&S's past, but on what best suits shoppers in different local areas in cities and regions around the country. Catering to the clothing tastes of multicultural London, and young, fashion-conscious Black and Asian shoppers, is also essential - because they make up a significant part of the buying public.

 


WEB DESIGN - Niche marketer Michael Morgan

Michael Morgan

Michael Morgan, former journalist on the Voice black newspaper, has found his perfect niche, he says. It's web design, a career he started recently by turning his mid terrace maisonette into a mini business and community asset. With just his one computer, a zip drive, scanner, and laser printer, his company, I.D. Seven Ltd, provides clients with free e-mail addresses, online search facilities and a chat-line service. "Every month there is also an opportunity to win prizes," says Morgan.

The fledgling businessman includes among his clients the Law Society's African Caribbean and Asian Lawyers organisation, and the UK's first website for an African Caribbean Day Nursery. He has helped create an online directory for mp3 enthusiasts, and an e-commerce site for the well known sheet and metal work company, Archways.

Morgan reckons that his biggest project to date is the globalgraduates.com website. It aims to train young people and link graduate job seekers with companies and recruitment agencies.

Morgan's contact details are:
website: www.idseven.com, e-mail: admin@idseven.com
Tel:0208 368 4892, Fax: 0870 132 0719, Mobile: 07941 055 047

 


BLACK BEAUTY - Miss Ghana UK returns to Africa, with skills

Linda Boateng, Miss Ghana UK

Public relations executive and former Miss Ghana UK, Linda 'Makeba' Boateng, daughter of a well-known Koforidua family, has returned home to help further Ghana's position on the world scene, she says.

In Linda's suitcase of skills, honed in London, are her diplomas in public relations, interior design and textiles gained at the London Institute and work experience as account executive for the leading black-owned PR agency, ASAP Communications. Her clients included Revlon Cosmetics, British Telecom, Sony, Black Beauty and Hair Magazine and London's Millennium Dome.

Linda, whose Ashanti name is Nana Yaa Pokuaa, has appeared on television and radio, and in countless publications world-wide from the tender age of 14 when she went to Trinidad and Tobago to play the steel pans. Her crowning as Miss Ghana UK in 1993 marked the rise of beauty pageants for the African communities in the United Kingdom.

She is proud that "Ghanaians in the UK are among the leading figures in the communication profession - from marketing and promotions to website development and e-commerce." But, the brainy beauty queen adds, "The time has come for those of us who are committed to our roots to make a meaningful contribution to our homeland".

 


INNOVATOR - Willard Wigan micro-world artist

Willard Wigan

Willard Wigan's tiny sculptures - carvings from a speck of wood, on a human eyelash or a fragment of a spider's web - are evidence of his inspired genius. "Maybe one day I'll eventually carve sculptures from individual atoms," he predicts.

Wigan, 43, featured in the Telegraph Magazine, "has been creating - one might say inhabiting - a miniature world since he was five years old, when an interest in insect welfare took hold." He remembers growing up tormented for his severe dyslexia and bullied as the only black child at his Birmingham school. Then Willard, son of a British Steel foundryman and one of eight children, learned to quell his fears by making little carvings of his tormentors. "I was made to feel small at school, so I made them look small," he says.

Over the years, his therapy became bona fide works of art and widely displayed. His carving of the Statue of Liberty inside the eye of a needle is exhibited at the real building in New York. A homage to the Beckhams - football personality David, Spice Girl Victoria and their child Brooklyn - carved on the end of a cocktail stick is on display at Old Trafford sports ground. He has also worked his way up in scale to life-size woodcarvings - Mike Tyson is said to have paid $20,000 for a wooden effigy of himself.

More recently, Willard's micro-art creations have gone on show in Bath at one of the city's main tourist attractions, the Impossible Microworld Museum located at 4 Monmouth Street, Bath BA1 2AJ, telephone 01225-33003.

 


BANKING - Howard Brown pied piper of Halifax bank

Howard Brown

Big, black and bountiful Howard Brown is the Halifax employee featured in the bank's celebrated television advertising campaign. In an amiable manner, Brown, besuited, wellshod and bespectacled, entices viewers to switch to Halifax's new branch-based current account.

In tune with the pop video-style presentation, Brown, who works in Birmingham branch, offers 4 per cent to any customer who pays more than £1000 into a current account each month. Halifax's rate is quite attractive compared with competitors offering merely less than one per cent.

Behind Brown's speil is money, of course. Halifax's competitors include the four big banks - Barclays, HSBC, Lloyds TSB and NatWest - and former building society-only banks like Halifax, such as Abbey National. And the new Internet banks are promoting higher interest deals worth more than £2 billion to canny customers.

But success for Brown's efforts for Halifax, which holds only five per cent of Britain's current account market, will depend on the ease with which customers can switch banks.

Given the ferocity of this price war, one is forced to speculate: why has Halifax chosen to have a black figure leading its marketing campaign? Do they know something we don't. For example are black current account holders in the big four banks more likely to switch than other groups?

Or, is the Halifax-Brown ad shot riding on the television success of Alvin Hall, a look-a-like African American personal finance guru?

 


JAZZ FUSION - Novice singer-writer of idyllic and gritty themes

Lawrence J Francis

Lawrence J Francis, 34, was born in the East End of London to Antiguan and St Lucian parents and now lives in the country town of Hertford with his English wife, Madeline. His debut CD disc, A Distant Like, evokes themes of a fostered rural childhood and a passion to heal the shattered lives of black urban youth.


So, here it is, the CD that you wrote and produced. How would you describe your work?
I guess you could call it a mixture of soul, jazz, funk and fusion. I'm the lead vocalist and did most of the music and lyrics, but I had a lot of help from my producers and musical arrangers Paul Higgs and Mitch Hiller, who is also my singing coach. And there's some fine work by Colin Watling on tenor saxophone, Nick Walker on soprano sax and Paul Higgs on trumpet.

How long did it take you to complete?
I finished the album last December and it cost me about £10,000 and three years of work, but it was worth it in the end. Writing songs like My Inspiration helped me through that period. Here's a few lines:

 

My Inspiration

My inspiration, true admiration for you
My inspiration is a dream come true
Like a summer breeze
Blowing through the trees
It will surely please when it reaches you
Let me comfort you, reaching out for you
With a love so true let me comfort you

 

What is your musical background?
I had always like music especially jazz-fusion, and I spent some time learning the saxophone and taking singing lessons. I wasn't really good at reading music, but I had a good ear and I started writing lyrics - and the idea of doing the CD grew out of that.

Who are your favourite musical personalities?
I like singers with an inspirational side to them, like Terry Callier and Jon Lucien. Gil Scott, too, has an incredible ability to reach out to his audience and channel feelings and emotions to them.

Those writer-singers deal with the problems of life and social injustice, is there anything like that in your work?
My concerns are with human relations, love and hate, living a healthy life, protecting the environment - all of these themes run right through the album. The last track, called Smokin' in the Ghetto, is a cry to save shattered young lives.

What about your own life. Do you have any particularly vivid memories from your childhood?
Life wasn't easy in my early days. My parents were migrants to Britain from Antigua and St Lucia and I was born in Hackney, London. But my mother, who was only 23, died at my birth. Then, at one month old I was fostered with a white family and grew up in Hertford, a town rich in history and surrounded by farms and woodlands.

 

A Cold Day In Autumn

A cold day in autumn makes me blue
Spring's coming in the New Year
With something new
Must rely on my companion to get through
I've set off on my journey and I can see it through
A cold day in autumn without you

 

Were there any colour problems?
I reckon there were no more than four black kids in the whole of the area. I can remember being called names about my colour for no reason at all. It was strange because in our house a person's colour was not an issue.

What was growing up like?
Actually, I'm a very practical person. I started out as a farm worker, went into the building trades.

But I learned to love the arts and architecture. I like sports, particularly running in the local parks and along country lanes. Listening to music is my main cultural pleasure. And I've developed an interest in ancient philosophies and spiritualism. I'm a great traveler as well, and I've been through Europe, the Caribbean and Latin America - in parts of the rain forests and towns of Equador, Venezuela and Brazil that tourists don't often see.

How do you see yourself in social terms?
I am who I am. If there are two sides of me, the reason may date back to my childhood. One side of my family is English, my adoptive parents are white; the other is Caribbean black, distant in origins but equal in morals, manner, principle and respect. Colour should not be an issue.


In addition to your music, what message would you like to convey to your listening public?
The message is about hope rather than despair, love conquering hate, and about people succeeding in changing their lives.


While other black writers claim ghetto origins, your early life was pretty idyllic. Did you have to learn to get the feel of the ghetto in your words and music?
Not really, because, I'm always in the ghetto. I work as site maintenane officer on a large housing estate in multi-racial East London. Every day I'm in their homes, on the walkways, dealing with their housing problems, trying to make things better. Sometimes I'm there day and night, if necessary. I don't think my lyrics and songs are aggressive, but they are not rosy-eyed either. I believe people have got to change their ways if they want more to life than drugs and crime, living on welfare benefits or stacking shelves at the local super market.

Your's are songs of hope...?
Yes, I close the first track of the album by saying:


"Someday
We'll wake up and the whole wide world will see
Someday
We'll learn to live our lives in harmony."

 

And I end Smokin' in the Ghetto with an urgent call for life changes:


"We can do it if we come together
But change must come from you and me"


The CD by Lawrence J Francis, "A Distant Like", is available at Tracks of Hertford and Virgin Megastore, Piccadilly Circus, London