TEENpreneurs

Young Guyanese publishes and sells her own novel inspite of prejudice

Angelina Archer, writer

Angelina Archer offers a gift of respect for her Guyanese origins and a no-nonsense determination to make it in the tough book world of self-publishing. The teenager, voted the Chronicleworld.org Young achiever of the Year 2002, tells of her frustration with racial and age bias in the white corporate book marketing industry and the benefits of self-publishing her first novel on her own.

In an exclusive unedited interview, Angelina, now 20 and writing her second novel, honours the rich literary traditions of Guyana where "'My dreams had roots".


About my Guyanese roots
I was an only child born in 1983 in Westminster, London. Both of my parents were born in Guyana, South America, so I am a mixture of primarily black, white and Indian, but I also have bits of Chinese and Amerindian in my blood as well. Guyana is the land of six people, including mixed people, and I have all six in me. Though I grew up in Britain, I was raised to keep Guyana close to my heart, and as a result, I have a special attachment to the country. I love having two identities, because I can be two different people. When it's appropriate, I can switch from one to the other, and I can still fit into both without being phoney. My parents and I visit there on a regular basis, and when I do, I speak the local patois, and I almost completely switch off my British characteristics and mannerisms. When I go back to Britain, I'm British again.

One of my literary influences is the Guyanese poet Grace Nichols, because her poems are amongst the first I've been able to identify with. Simplicity seems to speak volumes about the longings and praise she has for her home country while living in Britain, her childhood experiences, and so on. Her writing has a lot of atmosphere, and brings a smile to your face, no matter what she's writing about. My favourite poems from her are Sugar Cane and Like A Beacon. My other influences are novelist and poet Emily Bronte, and William Blake, once again because of their ability to express complex things in a simple way, though a lot of 'eggheads' tend to complicate their work in their studies of the two writers.

Choosing to publish the book under my own imprint Hybiscus Books is a personal emblem to my ethnic background. I chose the 'blue hybiscus' (spelled 'hibiscus' generally), because the hibiscus flower is one of the most common flowers in the Caribbean, and the word 'hibiscus' is Latin-Greek for 'marshmallow' (hibiskos); I consider myself to be a softie - like a marshmallow! Blue represents my favourite colour; it's calm, placid and intellectual, and I've always been inexplicably drawn to that colour. Blue hibiscuses don't exist, which represents how I strive to be different from everyone else, but not so different to the point of alienating myself from everyone.

About my book 'Out of Reach'
Out of Reach is basically a hard-hitting and intense story about the endurance of love and friendship, and about the overcoming of obstacles that may otherwise destroy friendships. It sounds very cheesy, but I guarantee, it isn't! It tells the story of Alana Higgins, an anti-heroine reduced to alcohol, deep depression and living in a bedsit, because she has fallen out with her mother and her two childhood friends. She has failed her degree in journalism, and is obsessed with a television actor. Then a sympathetic Katerina becomes her roommate, and Alana finally has someone to open up her problems to. Then Katerina tries to get her life together for her by reuniting her with her old friends, but the problems don't end there... Unfortunately, I can't give any more of the story away!

Out of Reach was influenced by Wuthering Heights by Emily Bronte, my GCSE Psychology work, and a problem page letter in a teen magazine by a girl so obsessed with a pop star, it was affecting her schoolwork. Alcoholism inspired Alana's problem, because that is one of the most widespread addictions in our society today, even more so than drugs. It's a representation of how easily people turn to drink when they have emotional problems like Alana, no matter how old or young you are, because it's cheap, accessible and very widespread in most societies around the world, especially the West and Third World countries.

Most of the characters were influenced by different aspects of my personality and my parents' personalities, except for Freda, who was influenced by the witch in Snow White, and Christine, who was influenced by the all-American blondes cluttering up the pop charts at the time, for example Britney Spears, Christina Aguilera, etc. I wanted to do a parody of all of them in her, because they really annoyed me, and they still do today!

Very little of my ethnic background is portrayed through the characters, but unlike a lot of novels written by black authors, the sole focus is on the situations the characters are in and how they resolve them, for example, alcoholism, friendship, love, falling in and out of love, jealousy, etc. Those themes are familiar in most ethnic cultures, and so I would say my first novel is an attempt to reach to a wide audience of colours and age groups, rather than just a specific market. Hopefully someone will be able to identify with at least one subject matter covered in the book.

About being educated at home
At a very early age, my parents decided that conventional education was not for me, because they didn't want me to be moulded into a person society wanted me to be, rather than what I wanted to be. I could study and progress at my own pace, and as a result, I feel I've learned a lot more than from a conventional education. I was a member of Education Otherwise, Britain's leading home-education organisation. I learned by observation as well as by books, and I believe that's what's missing from a conventional education. It's not any easier than going to school - in fact, I believe it can be more difficult, because of the limited contact with people, and the fact that you have to do a lot of the work on your own. But I read somewhere that there are 140,000 home educated children in Britain alone, and that number is steadily rising. I think more and more people are realising that the education system, especially in Britain, has nothing to offer their children, because teachers are walking out due to lack of pay, and the ones that do stay aren't dedicated enough to teaching children like they were many years ago.

I don't feel I've missed out on anything, because I still interact well with people - I'm very spiritual, I like talking to and meeting people, and I'm not a rebellious or inconsiderate person. Plus I don't feel like an outsider at all - Winston Churchill, Agatha Christie, William Blake and Albert Einstein were all home educated, amongst others, and nobody could say they're any less privileged! I have a good head on my shoulders, I contemplate things more than most people, and that my home education has contributed to discovering my talent for writing, and my imagination. I like music, films and going out, like most people my age. If I'd been at school, I'd would've probably been too busy looking for the trendiest pair of trainers, or the latest model of mobile phone, and talking endlessly about some manufactured pop group or pop star!

About self-publishing
Even I've amazed myself by being able to call the shots at my age. I never really had anybody to give me any advice, but I did find books and the Internet to find advice from. The book that was truly a godsend to me is a book called 'Publishing Books Using Your PC' by Peter Domanski and Phillip Irvine. It taught me so many things about page layout, how to design a book cover, how to market a book, and so on.

The reasons why I chose self-publishing was primarily because all my life I was trained to be self-sufficient. I am an only child, and I was educated at home by my parents, so I wanted to be in creative control of my novel. The second reason was because I learned that publishers give authors 10% or less in royalties, and that's not what I wanted. My worst fear was my book being placed at the bottom of the pile in a publisher's warehouse, while the bestsellers shift millions and get first-class promotion. Okay, my promotion and distribution of the novel may not be funded by millions of pounds, but what all that multi-million pound stuff boils down to is getting word around about the book, and that's what I've managed to do on a tight budget.

Thirdly, I felt that self-publishing needs a more reputable name. People in this country tend to think that a book is mediocre if you published it yourself, or that this is a cop out because no publisher wants the book. But that isn't true. It's a choice every author should be able to make without being accused of giving up too easily on big-name publishers. In America, self-publishing is a respectable and accepted form of publishing, and both conventional publishing and self-publishing co-exist with one another.

Why can't it be the same in this country? Because vast commercialism and the trans-national corporations have taken over this country, leaving hardly any space for small businesses to develop, and that applies in literature as well. Big publishers are looking for material that sells, not material that's of any good. All that matters in this country's publishing industry is how many millions of pounds a book makes, not how good the material is. So self-published books deserve a look-in, and I want to represent independent publishers in Britain who get swept under the carpet for not conforming to publishing norms.

Doing my own thing
Out of Reach is 100% my own effort. I proofread it, because after the printing bill, I couldn't afford to pay for a proofreader - I was flat broke, and I didn't know anybody that would give an objective eye. I designed the cover, because I have an interest in drawing, and so I drew the 'tearstained eyes' of Alana Higgins, the main character, on the cover and altered it for an eerier, more eye-catching effect with my computer. The only outside party involved was the printer. I have faced a lot of adversity, and been looked down upon as something of a joke by a lot of people while promoting my book, which I was preparing myself for from day one. I've even faced racism and ageism from a lot of people in bookshops when I was promoting Out of Reach in person. There have been plenty of times I've been given the run-around by bookshops, and when none of the managers wanted to speak to me. You wouldn't believe the number of times I've been sent out of shops with a piece of paper with a useless phone number on it, or sent to closed buildings. Once, I was even told by the manageress of a well-known bookshop that I was the wrong colour and age to be marketing books when I showed her my book, and asked how to stock it on their shelves, after telling me she reckoned the book's cover was too old-fashioned to sell. I was appalled, but I didn't give up. Out of Reach is now available online and in that same bookstore where that manageress works, and I've sold around 25,000 so far, and this is only the beginning. So I'm really proud of myself for getting my way over the bigots like that, and that's what I want to continue doing.

My goals for the future
I believe that I can make a success of myself by publishing on my own, and I plan on not involving any big publishers with my work in the future. Many authors have started their career self-publishing, then gone on to big publishers with their future works. I really hope that things turn out as I plan, and that I won't have to do that. But, as a self-publisher, the amount of success I have is up to me, and I thrive on hard work. I believe I have the drive and determination to do it on a long-term basis. I am very much aware that I have a massive market to compete with, mainly driven by multi-million pound promotional campaigns, but I enjoyed the entire Out of Reach project, both the writing, designing and publicity, and it's been an educational and fulfilling experience, and is one that I'd like to repeat with my future works. I've even made new friends through my venture. That and the feedback I've received from readers and people considering self-publishing is enough to make the hard work involved worth adhering to.

And finally
I am currently working on my second novel, entitled Success, which is set in a village of the same name in Guyana. In this novel, I'm going to express more of my ethnic heritage, and to prove that I can tap into it to create a story. Unfortunately, I can't tell you what it's all about! I've been working on it since March 2001, and I'm hoping to finish it and have it published by autumn 2003. I'm also writing poetry that I'll be publishing as an anthology. I have put a few up for viewing on my website, and some I'll be reading at poetry events in Britain throughout the year, though nothing specific is planned yet. Again, any events will be announced on my website. So I have a very busy, and hopefully an even more successful future to look forward to!

* Out of Reach (£7.99, ISBN 0-9541027-0-3) is available at most major bookstores, and online at Amazon.co.uk. The book can also be ordered directly from the Hybiscus Books website at http://www.hybiscusbooks.cjb.net.